
Set in Manila of 1920, this lively two‑act play captures the feverish arrival of motion pictures in the Philippines. A modest household becomes the backdrop for a chorus of characters—Tiburcio, the weary newspaper reader; Bruno, the eager showman; Angeling, a spirited young woman; and a mix of neighbors, shopkeepers, and a police officer—all drawn together by the promise of the new “cine.” Their banter mixes humor with sharp observations about rent, heat, and the looming colonial authority.
Interlaced with catchy songs performed by a mixed chorus, the drama riffs on the clash between tradition and modernity, exposing both excitement and anxiety as cinema reshapes daily life. Characters scramble for tickets, rehearse sketches, and imagine a future where film reels replace horse‑drawn carriages, while the playwright offers a witty critique of bureaucracy, corruption, and the yearning for true independence. Listeners receive a vivid snapshot of early twentieth‑century Manila, where laughter and satire illuminate the birth of Filipino cinema.
Language
tl
Duration
~1 hours (57K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Tamiko I. Camacho, Jerome Espinosa Baladad, Pilar Somoza and PG Distributed Proofreaders from page scans provided by University of Michigan.
Release date
2005-07-16
Rights
Public domain in the USA.
Subjects
b. 1882
Known today through a small group of surviving Tagalog works, this early 20th-century writer left behind fiction and drama that still feel tied to everyday life and social change. His books suggest a voice interested in popular culture, human feeling, and the tensions of his time.
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