author
Best known as a Qing-dynasty writer associated with Shenglü Qimeng (声律启蒙), a classic introduction to rhyme, tones, and the musical patterns of Chinese verse. The book has stayed widely read for generations because it turns poetic rules into lively, memorable paired lines.
Shenglü Qimeng is commonly attributed to Che Wanyu (车万育), a scholar of the Qing dynasty rather than a modern author named Sheng Lü. Library and archive records for editions of the work identify Che Wanyu as the author, sometimes noting his dates only in part, such as jinshi, 1664.
The work’s title is often romanized as Sheng lü qi meng and is known in Chinese as 声律启蒙. It is a long-loved primer on the sounds and structure of classical Chinese poetry, introducing readers to tonal patterns, rhyme, and antithetical pairing in an approachable, rhythmic style.
Because the surviving source material I found focuses much more on the book than on Che Wanyu’s personal life, only a small biographical sketch can be confirmed with confidence. What stands out most clearly is his lasting place in literary education: his book has continued to be reprinted, edited, and read as a gateway into classical Chinese verse.