Richard Marsh

author

Richard Marsh

1857–1915

Best known for the eerie bestseller The Beetle, this prolific late-Victorian writer mixed suspense, horror, and crime in stories that helped shape popular fiction at the turn of the 20th century. Writing under the name Richard Marsh, he reached a wide audience with fast-moving tales full of menace, mystery, and strange twists.

24 Audiobooks

The Beetle: A Mystery

The Beetle: A Mystery

by Richard Marsh

A Master of Deception

A Master of Deception

by Richard Marsh

The Joss: A Reversion

The Joss: A Reversion

by Richard Marsh

Tom Ossington's Ghost

Tom Ossington's Ghost

by Richard Marsh

Amusement Only

Amusement Only

by Richard Marsh

A Hero of Romance

A Hero of Romance

by Richard Marsh

The goddess: a demon

The goddess: a demon

by Richard Marsh

The Datchet Diamonds

The Datchet Diamonds

by Richard Marsh

A Duel

A Duel

by Richard Marsh

Violet Forster's Lover

Violet Forster's Lover

by Richard Marsh

The Magnetic Girl

The Magnetic Girl

by Richard Marsh

Miss Arnott's Marriage

Miss Arnott's Marriage

by Richard Marsh

A Woman Perfected

A Woman Perfected

by Richard Marsh

En adelig Opdager

En adelig Opdager

by Richard Marsh

The Chase of the Ruby

The Chase of the Ruby

by Richard Marsh

The Twickenham Peerage

The Twickenham Peerage

by Richard Marsh

A Second Coming

A Second Coming

by Richard Marsh

Under One Flag

Under One Flag

by Richard Marsh

About the author

Born Richard Bernard Heldmann in 1857, he became widely known by his pen name Richard Marsh. He was a prolific British writer of novels and short stories, and his work ranged across horror, thrillers, crime fiction, and popular magazine entertainment.

Marsh is remembered above all for The Beetle (1897), a supernatural thriller published in the same year as Dracula. For a time it was even more popular than Bram Stoker's novel, and it remains the book most closely associated with his name.

He continued publishing successfully into the Edwardian period before his death in 1915. Although much of his writing was once overshadowed by other gothic and sensation writers, readers still return to his fiction for its pace, atmosphere, and knack for unsettling ideas.