
author
1678–1729
An Italian man of letters and music, he helped shape London’s early 18th-century opera world through libretti, editing, and performance. He is especially remembered for adapting texts for operas by Handel and Giovanni Bononcini.

by Nicola Francesco Haym
Born in Rome in 1678, Nicola Francesco Haym built an unusually wide-ranging career as a cellist, composer, librettist, editor, theatre manager, and scholar. He eventually became a key figure in London’s musical life, where his work connected performers, publishers, and audiences at a time when Italian opera was flourishing.
Haym is best known today for preparing and adapting libretti for major operas by George Frideric Handel and Giovanni Bononcini. Beyond the stage, he also worked as a literary editor and was respected as a numismatist, showing the same curiosity for books and history that marked his musical career.
That mix of practical theatre sense and scholarly interests makes him a fascinating authorial figure: not just a writer of texts, but a cultural go-between who helped bring continental ideas into English musical life. A contemporary painting even shows him at the harpsichord, a fitting image for someone so deeply involved in the artistic world he helped create.