Leigh Brackett

author

Leigh Brackett

1915–1978

A master of pulp adventure and hard-boiled atmosphere, this pioneering writer helped shape both classic science fiction and Hollywood film. Her stories are fast, vivid, and full of tough characters, strange worlds, and sharp momentum.

21 Audiobooks

Enchantress of Venus

Enchantress of Venus

by Leigh Brackett

A World is Born

A World is Born

by Leigh Brackett

The Jewel of Bas

The Jewel of Bas

by Leigh Brackett

The starmen

The starmen

by Leigh Brackett

Black Amazon of Mars

Black Amazon of Mars

by Leigh Brackett

Outpost on Io

Outpost on Io

by Leigh Brackett

The Stellar Legion

The Stellar Legion

by Leigh Brackett

Shannach—The Last

Shannach—The Last

by Leigh Brackett

Out of the sea

Out of the sea

by Leigh Brackett

The road to Sinharat

The road to Sinharat

by Leigh Brackett

The Blue Behemoth

The Blue Behemoth

by Leigh Brackett

Lorelei of the Red Mist

Lorelei of the Red Mist

by Leigh Brackett, Ray Bradbury

Child of the Sun

Child of the Sun

by Leigh Brackett

Citadel of Lost Ships

Citadel of Lost Ships

by Leigh Brackett

The Dragon-Queen of Jupiter

The Dragon-Queen of Jupiter

by Leigh Brackett

The Beast-Jewel of Mars

The Beast-Jewel of Mars

by Leigh Brackett

Terror Out of Space

Terror Out of Space

by Leigh Brackett

The Vanishing Venusians

The Vanishing Venusians

by Leigh Brackett

Last Call From Sector 9G

Last Call From Sector 9G

by Leigh Brackett

About the author

Born in Los Angeles in 1915, Leigh Brackett became one of the standout voices of mid-20th-century science fiction and fantasy. She was especially associated with planetary adventure tales and was often called the "Queen of Space Opera." Alongside her magazine fiction, she also wrote crime novels, showing the same gift for pace, mood, and memorable settings.

Her career stretched far beyond pulp magazines. Brackett worked as a screenwriter in Hollywood and is closely linked with classic film noir through her work on The Big Sleep. She later contributed to major genre films as well, including an early screenplay draft for The Empire Strikes Back, which connects her legacy to a whole later generation of science-fiction storytelling.

Readers still return to her for the sweep and energy of books like The Long Tomorrow and for her Mars and space-adventure stories, which helped define the feel of planetary romance for decades. She died in 1978, but her work remains lively, cinematic, and easy to fall into.