Leigh Brackett

author

Leigh Brackett

1915–1978

A pioneering writer who moved easily between pulp science fiction and Hollywood, creating vivid adventure stories on the page and helping shape classic films on the screen. Best known for her planetary romances, noir work, and screenwriting, she built a career that still feels energetic and modern.

22 Audiobooks

Black Amazon of Mars

Black Amazon of Mars

by Leigh Brackett

Lorelei of the Red Mist

Lorelei of the Red Mist

by Leigh Brackett, Ray Bradbury

The road to Sinharat

The road to Sinharat

by Leigh Brackett

The moon that vanished

by Leigh Brackett

A World is Born

A World is Born

by Leigh Brackett

Terror Out of Space

Terror Out of Space

by Leigh Brackett

Shannach—The Last

Shannach—The Last

by Leigh Brackett

The Vanishing Venusians

The Vanishing Venusians

by Leigh Brackett

The starmen

The starmen

by Leigh Brackett

The Dragon-Queen of Jupiter

The Dragon-Queen of Jupiter

by Leigh Brackett

Citadel of Lost Ships

Citadel of Lost Ships

by Leigh Brackett

Enchantress of Venus

Enchantress of Venus

by Leigh Brackett

The Blue Behemoth

The Blue Behemoth

by Leigh Brackett

Last Call From Sector 9G

Last Call From Sector 9G

by Leigh Brackett

The Beast-Jewel of Mars

The Beast-Jewel of Mars

by Leigh Brackett

The Jewel of Bas

The Jewel of Bas

by Leigh Brackett

The Stellar Legion

The Stellar Legion

by Leigh Brackett

Outpost on Io

Outpost on Io

by Leigh Brackett

Out of the sea

Out of the sea

by Leigh Brackett

Child of the Sun

Child of the Sun

by Leigh Brackett

About the author

Born in Los Angeles in 1915, Leigh Brackett became one of the standout voices of mid-20th-century science fiction and fantasy. She first made her name in the pulp magazines, where her stories of Mars, Venus, and other far worlds mixed danger, atmosphere, and strong emotional pull. Readers often remember her for the Eric John Stark stories and for novels including The Long Tomorrow.

Brackett also built an important career in Hollywood as a screenwriter. She worked on major films including The Big Sleep, bringing her sharp storytelling to crime as well as science fiction. That range helped make her unusual even in a crowded field: she could write hard-boiled dialogue one moment and sweeping interplanetary adventure the next.

She died in 1978, but her reputation has lasted because her work bridges several traditions at once—space opera, fantasy, noir, and film. For many readers, she remains a key link between the pulp era and the more character-driven science fiction that followed.