J. Ewing (James Ewing) Ritchie

author

J. Ewing (James Ewing) Ritchie

1820–1898

A lively Victorian journalist and travel writer, he brought nineteenth-century London and the wider world to readers with sharp observation and an easy, readable style. His books range from social sketches and political lives to journeys abroad, reflecting a reporter’s eye for everyday detail.

23 Audiobooks

Here and There in London

Here and There in London

by J. Ewing (James Ewing) Ritchie

The Real Gladstone: An Anecdotal Biography

The Real Gladstone: An Anecdotal Biography

by J. Ewing (James Ewing) Ritchie

About London

About London

by J. Ewing (James Ewing) Ritchie

The New Sunday Liquor Law Vindicated

The New Sunday Liquor Law Vindicated

by J. Ewing (James Ewing) Ritchie

Some of Our East Coast Towns

Some of Our East Coast Towns

by J. Ewing (James Ewing) Ritchie

Imperialism in South Africa

Imperialism in South Africa

by J. Ewing (James Ewing) Ritchie

Money-making men; or, how to grow rich

Money-making men; or, how to grow rich

by J. Ewing (James Ewing) Ritchie

The Night Side of London

The Night Side of London

by J. Ewing (James Ewing) Ritchie

The London Pulpit

The London Pulpit

by J. Ewing (James Ewing) Ritchie

The Religious Life of London

The Religious Life of London

by J. Ewing (James Ewing) Ritchie

An Australian Ramble; Or, A Summer in Australia

An Australian Ramble; Or, A Summer in Australia

by J. Ewing (James Ewing) Ritchie

About the author

James Ewing Ritchie was an English journalist and writer born in Wrentham, Suffolk, in 1820. He was educated at Coward College and at University College London, and went on to build a career in journalism as well as book writing.

He wrote travel books, political biographies, and a notable run of works about London life. That mix gives his writing a practical, curious feel: he was interested both in public figures and in how ordinary people lived, worked, and moved through the city.

Ritchie also wrote under the pseudonym Christopher Crayon. He died in 1898, leaving behind a body of work that is especially useful for readers who enjoy Victorian nonfiction, social observation, and first-hand glimpses of the nineteenth century.