author

Herbert F. (Herbert Francis) Peyser

1886–1953

A longtime American music critic, this writer brought great composers to general readers with clear, lively biographies. His books on figures like Handel, Bach, Mozart, Schubert, and Richard Strauss reflect a deep love of music history and a gift for making it approachable.

9 Audiobooks

Johann Sebastian Bach

Johann Sebastian Bach

by Herbert F. (Herbert Francis) Peyser

Joseph Haydn: Servant and Master

Joseph Haydn: Servant and Master

by Herbert F. (Herbert Francis) Peyser

Richard Strauss

Richard Strauss

by Herbert F. (Herbert Francis) Peyser

Hector Berlioz: A Romantic Tragedy

Hector Berlioz: A Romantic Tragedy

by Herbert F. (Herbert Francis) Peyser

George Frideric Handel

George Frideric Handel

by Herbert F. (Herbert Francis) Peyser

Schubert and His Work

Schubert and His Work

by Herbert F. (Herbert Francis) Peyser

Mendelssohn and Certain Masterworks

Mendelssohn and Certain Masterworks

by Herbert F. (Herbert Francis) Peyser

Robert Schumann, Tone-Poet, Prophet and Critic

Robert Schumann, Tone-Poet, Prophet and Critic

by Herbert F. (Herbert Francis) Peyser

Wolfgang Amadeus Mozart

Wolfgang Amadeus Mozart

by Herbert F. (Herbert Francis) Peyser

About the author

Herbert Francis Peyser was an American writer and music critic best remembered for biographies of major composers. Sources available here describe him as a critic for publications including the New York Evening Post and the New York Telegram, and his work was aimed at readers who wanted informed but readable introductions to classical music.

His books focused on well-known composers such as George Frideric Handel, Johann Sebastian Bach, Wolfgang Amadeus Mozart, Franz Schubert, Felix Mendelssohn, Hector Berlioz, Joseph Haydn, Robert Schumann, and Richard Strauss. Many of these works later entered the public domain and continue to circulate through projects like Project Gutenberg, which suggests that his writing remained useful and appealing well beyond his own lifetime.

Born in 1886 and dying in 1953, Peyser belongs to a generation of critics who helped connect concert life, journalism, and popular biography. His writing is especially suited to audiobook listeners who enjoy compact, informative portraits of great musicians and the worlds they moved in.