Friedrich Spielhagen

author

Friedrich Spielhagen

1829–1911

A major voice in 19th-century German fiction, he wrote energetic novels about social change, political ideals, and the tensions of modern life. His books helped shape the German social novel and reached readers far beyond his own time.

11 Audiobooks

The Breaking of the Storm, Vol. I.

The Breaking of the Storm, Vol. I.

by Friedrich Spielhagen

What the Swallow Sang: A Novel

What the Swallow Sang: A Novel

by Friedrich Spielhagen

Hammer and Anvil: A Novel

Hammer and Anvil: A Novel

by Friedrich Spielhagen

Through Night to Light: A Novel

Through Night to Light: A Novel

by Friedrich Spielhagen

Novellenbuch, 1. Band

Novellenbuch, 1. Band

by Conrad Ferdinand Meyer, Detlev von Liliencron, Friedrich Spielhagen, Ernst von Wildenbruch

Quisisana; or, Rest at Last

Quisisana; or, Rest at Last

by Friedrich Spielhagen

The Breaking of the Storm, Vol. II.

The Breaking of the Storm, Vol. II.

by Friedrich Spielhagen

Hovin Roosa

Hovin Roosa

by Friedrich Spielhagen

The Breaking of the Storm, Vol. III.

The Breaking of the Storm, Vol. III.

by Friedrich Spielhagen

Problematic Characters: A Novel

Problematic Characters: A Novel

by Friedrich Spielhagen

About the author

Born in Magdeburg on February 24, 1829, Friedrich Spielhagen grew up partly in Stralsund and studied at the universities of Berlin, Bonn, and Greifswald. After trying several paths, including teaching and editorial work, he turned fully to literature and built a long career as a novelist, critic, translator, and literary theorist.

Spielhagen became especially known for novels that brought public life into fiction. Reference works describe him as one of the representative writers of the German social novel, and works such as Problematische Naturen and Sturmflut are often singled out among his best-known books. Alongside his fiction, he also wrote about the craft of the novel, drama, and epic literature.

He remained an important figure in German literary life for decades and died in Charlottenburg on February 25, 1911. Today he is remembered less as a quiet storyteller than as a writer who liked to test ideas in action, using novels to explore society, politics, and character at moments of change.