Fred M. (Fred Merrick) White

author

Fred M. (Fred Merrick) White

1859–1935

Best known for his "Doom of London" stories, this hugely productive British writer mixed sensation, mystery, adventure, and early science fiction with a gift for big, dramatic ideas. His fiction often feels startlingly modern, especially when it turns to urban disaster, crime, and suspense.

14 Audiobooks

The Sundial

The Sundial

by Fred M. (Fred Merrick) White

The Midnight Guest: A Detective Story

The Midnight Guest: A Detective Story

by Fred M. (Fred Merrick) White

The Nether Millstone

The Nether Millstone

by Fred M. (Fred Merrick) White

The Slave of Silence

The Slave of Silence

by Fred M. (Fred Merrick) White

The Yellow Face

The Yellow Face

by Fred M. (Fred Merrick) White

The Corner House

The Corner House

by Fred M. (Fred Merrick) White

Hard Pressed

Hard Pressed

by Fred M. (Fred Merrick) White

The Weight of the Crown

The Weight of the Crown

by Fred M. (Fred Merrick) White

The Mystery of the Four Fingers

The Mystery of the Four Fingers

by Fred M. (Fred Merrick) White

The Crimson Blind

The Crimson Blind

by Fred M. (Fred Merrick) White

The Doom of London

The Doom of London

by Fred M. (Fred Merrick) White

The Five Knots

The Five Knots

by Fred M. (Fred Merrick) White

The Cardinal Moth

The Cardinal Moth

by Fred M. (Fred Merrick) White

About the author

Born in West Bromwich in 1859, Fred Merrick White wrote under the name Fred M. White. He first followed his father into legal work, but by the mid-1880s he was publishing serials and stories in magazines, and he went on to become a full-time journalist and author.

White was an extraordinarily prolific writer, producing novels and large numbers of short stories across crime, romance, adventure, and speculative fiction. He is especially remembered for the six "Doom of London" tales, a series of catastrophe stories that imagine the city under siege from smog, disease, and other large-scale threats.

That mix of fast-paced storytelling and imaginative danger helped make his work memorable well beyond his own era. Readers who enjoy Victorian and Edwardian popular fiction often come to him for the same reason modern fans do: he knew how to build tension, keep pages turning, and make even wildly dramatic premises feel vivid and immediate.