
author
An early 20th-century writer with a keen eye for art and meaning, best known for exploring how flowers were used as symbols in classic paintings. Her work opens a small but fascinating window onto the language of religious and historical art.

by Elizabeth Haig
Elizabeth Haig is known for The Floral Symbolism of the Great Masters, first published in 1913. In that book, she studies the way flowers appear in paintings and explains the symbolic meanings they carried, especially in Christian and European art.
Reliable biographical information about her appears to be quite limited in the sources I could confirm. Based on the book records available through Project Gutenberg, Open Library, and the Internet Archive, she is remembered primarily through this detailed work of art interpretation rather than through a widely documented public literary career.
Her writing still has appeal for readers interested in symbolism, art history, and the hidden details inside older paintings. Even now, the book stands out as a careful, accessible guide to the meanings artists once packed into petals, garlands, and garden scenes.