author
Elizabeth Ashe
1885–1974
A little-known early 20th-century fiction writer, she published under the pen name Elizabeth Ashe while also being identified as Georgiana Pentlarge. Her work appeared in magazines including The Atlantic and survives today in a small body of stories and collected fiction.
2 Audiobooks
Atlantic Narratives: Modern Short Stories; Second Series
by Mary Antin, Elizabeth Ashe, Kathleen Carman, Cornelia A. P. (Cornelia Atwood Pratt) Comer, Mazo De la Roche, Annie Hamilton Donnell, James Edmund Dunning, Rebecca Hooper Eastman, William Addleman Ganoe, Lucy Huffaker, Joseph Husband, S. H. Kemper, Christina Krysto, Ellen Mackubin, Edith Ronald Mirrielees, Margaret Prescott Montague, Edward Morlae, Meredith Nicholson, Kathleen Thompson Norris, Laura Spencer Portor, Lucy Pratt, Elsie Singmaster, Charles Haskins Townsend, Edith Wyatt
Atlantic Narratives: Modern Short Stories
by Elizabeth Ashe, Henry Seidel Canby, Cornelia A. P. (Cornelia Atwood Pratt) Comer, Charles Caldwell Dobie, Madeleine Z. (Madeleine Zabriskie) Doty, H. G. (Harrison Griswold) Dwight, John Galsworthy, Katharine Fullerton Gerould, Katharine Butler Hathaway, Zephine Humphrey, Mary Lerner, F. J. Louriet, E. V. (Edward Verrall) Lucas, Margaret Lynn, C. A. Mercer, Margaret Prescott Montague, E. (Edith) Nesbit, Anne Douglas Sedgwick, Dallas Lore Sharp, Margaret Pollock Sherwood, Ernest Starr, Amy Wentworth Stone, Arthur Russell Taylor
About the author
Elizabeth Ashe was a pen name used by Georgiana Pentlarge, a writer whose fiction appeared in the early 20th century. Sources available online connect the two names directly, and library and public-domain records show stories published under Elizabeth Ashe in that period.
Her work was published in The Atlantic, and public-domain listings preserve titles such as In Shadowside and later anthology appearances. She seems to have been one of those authors whose work was better known in magazines and collections than through a large standalone bibliography.
Very little easily verified biographical detail appears to survive in widely available sources, so the picture of her life is fragmentary. What does remain suggests a writer remembered chiefly through her published stories rather than through a well-documented public career.