E. M. (Edward Morgan) Forster

author

E. M. (Edward Morgan) Forster

1879–1970

Best known for A Room with a View, Howards End, and A Passage to India, he wrote fiction that is graceful, observant, and still remarkably easy to slip into. His books return again and again to class, connection, and the quiet struggle between private feeling and public life.

14 Audiobooks

A Room with a View

A Room with a View

by E. M. (Edward Morgan) Forster

The eternal moment, and other stories

The eternal moment, and other stories

by E. M. (Edward Morgan) Forster

A passage to India

A passage to India

by E. M. (Edward Morgan) Forster

The Celestial Omnibus, and Other Stories

The Celestial Omnibus, and Other Stories

by E. M. (Edward Morgan) Forster

Aspects of the novel

Aspects of the novel

by E. M. (Edward Morgan) Forster

The Story of the Siren

The Story of the Siren

by E. M. (Edward Morgan) Forster

Howards End

Howards End

by E. M. (Edward Morgan) Forster

Howards End

Howards End

by E. M. (Edward Morgan) Forster

The Longest Journey

The Longest Journey

by E. M. (Edward Morgan) Forster

Where Angels Fear to Tread

Where Angels Fear to Tread

by E. M. (Edward Morgan) Forster

Alexandria: A History and a Guide

Alexandria: A History and a Guide

by E. M. (Edward Morgan) Forster

Pharos and Pharillon

Pharos and Pharillon

by E. M. (Edward Morgan) Forster

Anonymity : an enquiry

Anonymity : an enquiry

by E. M. (Edward Morgan) Forster

Matka Indiaan

Matka Indiaan

by E. M. (Edward Morgan) Forster

About the author

Born in London on January 1, 1879, E. M. Forster became one of the most admired English novelists of the early 20th century. He studied at King's College, Cambridge, and went on to write novels that helped define his reputation, including Where Angels Fear to Tread, A Room with a View, Howards End, and A Passage to India.

Forster's fiction is known for its clear style, wit, and emotional intelligence. He often wrote about the pressures of class, the limits of convention, and the need for human connection, giving his work a warmth that balances its sharp social insight. He also wrote short stories, essays, talks, and criticism, and his story The Machine Stops later became especially noted for its strikingly modern vision of technology and isolation.

Although he published less fiction later in life, his standing only grew. After his death in 1970, readers continued to discover new sides of his work, including Maurice, the novel he had chosen not to publish in his lifetime. Today he remains a writer many people meet in school and then return to for the pleasure of his voice, his humanity, and the enduring freshness of his questions.