Clifford D. Simak

author

Clifford D. Simak

1904–1988

A quietly original voice in science fiction, his stories mixed big cosmic ideas with small-town warmth, decency, and a deep curiosity about what it means to be human. Best known for works like "City" and "Way Station," he became one of the genre's most admired longtime craftsmen.

12 Audiobooks

The Shipshape Miracle

The Shipshape Miracle

by Clifford D. Simak

The Street That Wasn't There

The Street That Wasn't There

by Clifford D. Simak, Carl Jacobi

The World That Couldn't Be

The World That Couldn't Be

by Clifford D. Simak

Second Childhood

Second Childhood

by Clifford D. Simak

Message From Mars

Message From Mars

by Clifford D. Simak

Hellhounds of the Cosmos

Hellhounds of the Cosmos

by Clifford D. Simak

The call from beyond

The call from beyond

by Clifford D. Simak

Project Mastodon

Project Mastodon

by Clifford D. Simak

Empire

Empire

by Clifford D. Simak

Mr. Meek Plays Polo

Mr. Meek Plays Polo

by Clifford D. Simak

Mr. Meek—Musketeer

Mr. Meek—Musketeer

by Clifford D. Simak

Bathe your bearings in blood!

Bathe your bearings in blood!

by Clifford D. Simak

About the author

Born in Millville, Wisconsin, in 1904, Clifford D. Simak built a long career as both a journalist and a science fiction writer. He worked for newspapers across the Midwest and later spent many years with the Minneapolis Star and Tribune, balancing newsroom work with a steady output of fiction.

His science fiction is often remembered for its unusual blend of frontier imagination, pastoral calm, and philosophical depth. Rather than focusing only on gadgets or conflict, he often wrote about ordinary people facing vast changes, and about themes like isolation, kindness, evolution, and humanity's place in a much larger universe. Among his best-known books are City and Way Station.

Over the course of his career, he won multiple Hugo Awards and a Nebula Award, and he was named the third SFWA Grand Master for his contribution to the field. He died in Minneapolis in 1988, but his work still stands out for its gentle tone and lasting sense of wonder.