
author
1860–1904
Best known for quiet, piercing stories and groundbreaking plays, this Russian master had a gift for making ordinary lives feel unforgettable. He trained as a doctor, wrote with unusual compassion, and helped reshape modern fiction and drama.

by Anton Pavlovich Chekhov

by Anton Pavlovich Chekhov

by Anton Pavlovich Chekhov

by Anton Pavlovich Chekhov

by Anton Pavlovich Chekhov

by Anton Pavlovich Chekhov

by Anton Pavlovich Chekhov

by Anton Pavlovich Chekhov

by Anton Pavlovich Chekhov

by Anton Pavlovich Chekhov

by Anton Pavlovich Chekhov

by Anton Pavlovich Chekhov

by Anton Pavlovich Chekhov

by Anton Pavlovich Chekhov

by Anton Pavlovich Chekhov

by Anton Pavlovich Chekhov

by Anton Pavlovich Chekhov

by Anton Pavlovich Chekhov

by Anton Pavlovich Chekhov

by Anton Pavlovich Chekhov

by Anton Pavlovich Chekhov

by Anton Pavlovich Chekhov

by Anton Pavlovich Chekhov

by Anton Pavlovich Chekhov

by Anton Pavlovich Chekhov

by Anton Pavlovich Chekhov

by Anton Pavlovich Chekhov

by Anton Pavlovich Chekhov

by Anton Pavlovich Chekhov

by Anton Pavlovich Chekhov

by Anton Pavlovich Chekhov

by Anton Pavlovich Chekhov

by Anton Pavlovich Chekhov

by Anton Pavlovich Chekhov

by Anton Pavlovich Chekhov

by Anton Pavlovich Chekhov

by Anton Pavlovich Chekhov

by Anton Pavlovich Chekhov

by Anton Pavlovich Chekhov

by Anton Pavlovich Chekhov

by Anton Pavlovich Chekhov

by Anton Pavlovich Chekhov

by Anton Pavlovich Chekhov

by Anton Pavlovich Chekhov
Born in Taganrog in 1860, Anton Chekhov grew up in a struggling family and began writing while studying medicine in Moscow. He qualified as a physician, and the close attention he gave to everyday suffering would become one of the defining qualities of his fiction.
Chekhov first earned readers with comic sketches and short pieces, then went on to write some of the most admired stories in world literature, including works such as The Lady with the Dog, Ward No. 6, and The Steppe. He also became a major playwright; The Seagull, Uncle Vanya, Three Sisters, and The Cherry Orchard changed the way drama could work, replacing melodrama with subtle feeling, awkward silences, and the tensions of ordinary conversation.
His life was marked by serious illness, extensive travel, and a deep interest in the lives of people often overlooked. Chekhov died in 1904, but his work still feels strikingly modern: humane, funny, sad, and sharply observant all at once.