
VIOLIN TONE AND VIOLIN MAKERS
INTRODUCTION
VIOLIN TONE AND VIOLIN MAKERS - CHAPTER I ANOMALOUS POSITION OF THE VIOLIN
CHAPTER II A TONELESS METHOD OF VALUATION
CHAPTER III TYPES OF STANDARD VIOLIN TONE
CHAPTER IV THE OLD MASTERS AS VIOLIN MAKERS
CHAPTER V THE DECLINE OF TONE
CHAPTER VI RELATIONSHIP BETWEEN A NEW VIOLIN AND TONE
CHAPTER VII OLD TONE AND NEW—A CONTEST
CHAPTER VIII A DOUBLE-BARRELLED THEORY
This study delves into the elusive quality that makes a violin sing, examining why tone matters to players and how it has been misunderstood for generations. It surveys the many theories—wood, construction, varnish, age—and argues that true tone rests on an ideal that transcends mere materials. By untangling the myths that cloud judgment, the author helps musicians discern whether an instrument is a living voice or merely a decorative antique.
The second part offers a concise, reliable guide to the most influential violin makers, both historic and contemporary. Drawing on fresh research, it presents biographical sketches and critical assessments aimed at players who need practical insight rather than collector‑focused catalogues. Whether you are choosing a new instrument or seeking to deepen your appreciation of its sound, the book equips you with a clear framework to evaluate violins through the lens of tone.
Language
en
Duration
~6 hours (375K characters)
Publisher of text edition
Project Gutenberg
Original publisher
London: Chatto & Windus, 1916.
Credits
Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images available at The Internet Archive)
Release date
2023-09-23
Rights
Public domain in the USA.
Subjects
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