
CONTENTS OF VOL. II. - CHAP - XV THE CRUISE OF THE WATERWITCH XVI COME AT LAST XVII BAALZEBUB'S BANQUET XVIII THE BLACK HOUND XIX BEDDGELERT XX BOTH SIDES OF THE MOON AT ONCE XXI NATURE'S MELODRAMA XXII FOND, YET NOT FOOLISH XXIII THE BROAD STONE OF HONOUR XXIV THE THIRTIETH OF SEPTEMBER XXV THE BANKER AND HIS DAUGHTER XXVI TOO LATE XXVII A RECENT EXPLOSION IN AN ANCIENT CRATER XXVIII LAST CHRISTMAS EVE - TWO YEARS AGO. - CHAPTER XV. - THE CRUISE OF THE WATERWITCH.
CHAPTER XVI. - COME AT LAST.
CHAPTER XVII. - BAALZEBUB'S BANQUET.
"I?"
CHAPTER XVIII. - THE BLACK HOUND.
CHAPTER XIX. - BEDDGELERT.
CHAPTER XX. - BOTH SIDES OF THE MOON AT ONCE.
CHAPTER XXI. - NATURE'S MELODRAMA.
CHAPTER XXII. - FOND, YET NOT FOOLISH.
CHAPTER XXIII. - THE BROAD STONE OF HONOUR.
In a breezy August, the sleepy fishing village of Aberalva buzzes with nervous excitement. The townspeople ready their Sunday best, string ribbons and powder, and rehearse a procession for the long‑awaited return of Viscount Scoutbush to his ancestral home. Even the local musicians are summoned from neighboring hamlets, while the coastguard readies an old mortar, all in hopes of making a proper welcome for the young lord whose reputation precedes him.
When the massive air‑ship Waterwitch glides into the harbor like a ghostly white wing, the whole community erupts in awe. Fishermen abandon their midday naps, women adjust their bonnets, and the town’s ancient “free fishermen” step forward to claim a centuries‑old privilege. Amid the clamor of bells and cannon fire, Scoutbush’s genial handshake with the locals hints at a delicate dance between aristocratic tradition and the simple, stubborn pride of a seaside town.
Language
en
Duration
~10 hours (599K characters)
Publisher of text edition
Project Gutenberg
Release date
2004-02-01
Rights
Public domain in the USA.
Subjects

1819–1875
A Victorian clergyman and novelist, he brought big ideas to life through adventure, history, and social debate. Best known for The Water-Babies and Westward Ho!, he wrote with energy, humor, and a strong sense that stories should matter.
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by Charles Kingsley

by Charles Kingsley

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by Charles Kingsley

by Charles Kingsley