The Young Seigneur

audiobook

The Young Seigneur

by W. D. (William Douw) Lighthall

EN·~5 hours·50 chapters

Chapters

50 total
1

THE YOUNG SEIGNEUR; - OR, - NATION-MAKING. - BY

0:16
2

MONTREAL:

1:57:57
3

PREFACE.

1:59
4

BOOK I. - THE YOUNG SEIGNEUR. - CHAPTER I. - THE MANOIR OF DORMILLIÈRE.

4:11
5

CHAPTER II. - THE YOUNG SEIGNEUR.

1:21
6

CHAPTER III. - HAVILAND'S IDEA.

10:50
7

CHAPTER IV. - THE MANUSCRIPT.

0:08
8

CHAPTER V. - CONFRERIE.

5:43
9

CHAPTER VI. - ALEXANDRA.

0:05
10

CHAPTER VII. - QUINET.

4:07

Description

A mid‑nineteenth‑century Ontarian finds himself on a river steamer gliding past the mist‑shrouded banks of the St. Lawrence, drawn into the mysterious world of the old‑world manor that dominates the Quebec landscape. The stone‑faced Dormillière estate, with its Tudor gables and pine‑lined walk, becomes a striking symbol of a province that feels both timeless and newly hopeful. Through the eyes of this outsider, the narrative paints a vivid picture of Quebec’s French‑speaking villages, their stone cottages and parish spires, juxtaposing the province’s rich heritage with the fresh ambitions of a young Dominion still shaping its identity.

Against that backdrop, the story follows a newly arrived young seigneur who, despite his aristocratic lineage, is eager to bridge the cultural divide between English and French Canada. He strives to reconcile tradition with progress, offering a personal vision for a united nation while navigating the social expectations of both worlds. The novel unfolds as a thoughtful meditation on Canada’s early nation‑building, inviting listeners to contemplate the possibilities and tensions that defined its formative years.

Details

Full title

The Young Seigneur Or, Nation-Making

Language

en

Duration

~5 hours (294K characters)

Publisher of text edition

Project Gutenberg

Release date

2005-03-04

Rights

Public domain in the USA.

About the author

W. D. (William Douw) Lighthall

W. D. (William Douw) Lighthall

1857–1954

A major voice in early Canadian literature, he moved easily between poetry, fiction, history, and public life. His work helped shape how Canada’s cultural identity was presented to readers at home and abroad.

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