
Preface.
Glossary.
Chapter 1.I. Shadows From Child-Life.
Chapter 1.II. Plans and Bushman Paintings.
Chapter 1.III. I Was A Stranger, and Ye Took Me In.
Chapter 1.IV. Blessed is He That Believeth.
Chapter 1.V. Sunday Services. - Service No. I.
Chapter 1.VI. Bonaparte Blenkins Makes His Nest.
Chapter 1.VII. He Sets His Trap.
Chapter 1.VIII. He Catches the Old Bird.
A contemplative opening sets the tone, inviting listeners into the vast, moon‑lit Karoo where the land itself feels both stark and hauntingly beautiful. The narrator muses on the difference between life’s unpredictable flow and the tidy arcs of a staged drama, framing the story as an observation of real people rather than a fashioned adventure. The prose is peppered with the everyday language of the region, offering a gentle glossary that brings the peculiar sounds of Afrikaans and colonial slang to life.
Against this backdrop, two young strangers arrive on a remote farm, their childhoods unfolding amid the endless plains, thorny kraals and solitary kopjes. As they grow, they wrestle with questions of identity, love, and the limits imposed by a rigid society, all while the harsh yet lyrical environment shapes their hopes and doubts. The first act promises a thoughtful exploration of youthful curiosity set against an unforgiving but awe‑inspiring landscape.
Language
en
Duration
~9 hours (537K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Sue Asscher, and David Widger
Release date
1998-09-01
Rights
Public domain in the USA.

1855–1920
Best remembered for The Story of an African Farm, this South African writer brought sharp feeling and bold political thought to fiction, essays, and public debate. Her work spoke powerfully about women’s lives, empire, and war, and it still feels strikingly modern.
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