
The Piper
SEVENTH IMPRESSION - TO - LIONEL S. MARKS
[THE HAMELIN INSCRIPTION] - CHARACTERS
Act IV concerns the following morning.
ACT I - SCENE: The market-place of Hamelin. Right, the Minster, with an open shrine (right centre) containing a large sculptured figure of the Christ. Right, farther front, the house of KURT; and other narrow house-fronts. Left, the Rathaus, and (down) the home of JACOBUS. Front, to left and right, are corner-houses with projecting stories and casement windows. At the centre rear, a narrow street leads away between houses whose gables all but meet overhead.
ALL —THE PIPER!
MICHAEL
CHILDREN
Set in the bustling market‑place of 13th‑century Hamelin, this lively drama opens with a colorful street performance—a makeshift Ark populated by animal masks, a mischievous “Piper” in a fox’s guise, and a devilish figure poking at lost souls. As townsfolk cheer the spectacle, the town’s leaders—Jacob, the burgomaster, and the sober‑minded priest Anselm— attempt to steer the crowd toward gratitude for the recent disappearance of a plague of rats. Meanwhile, ordinary citizens like Veronika, the grieving wife, and her lame son Jan watch with a mix of hope and unease, hinting at deeper tensions beneath the festive façade.
The play’s ensemble cast, ranging from cobblers and butchers to children and nuns, brings a vivid chorus of voices that capture the town’s collective relief and lingering doubts. Early dialogue teases the mysterious Piper, whose unseen influence lingers in the air, setting the stage for a tale where folk legend, moral questioning, and communal fear intertwine. Listeners will be drawn into the medieval world, feeling the clang of market stalls, the echo of distant music, and the uneasy anticipation of what the Piper’s return might mean for Hamelin.
Language
en
Duration
~1 hours (98K characters)
Publisher of text edition
Project Gutenberg
Release date
Mar 1, 2004
Rights
Public domain in the USA.

1874–1922
A lyrical American poet and dramatist, she wrote with a gift for wonder, feeling, and moral urgency. Her work ranges from delicate poems about childhood to ambitious verse drama and writing shaped by social conscience.
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