
audiobook
OFFICE OF SOCRATES POTTER
I.—IN WHICH MR. POTTER PRESENTS THE SINGULAR DILEMMA OF WHITFIELD NORRIS, MULTIMILLIONAIRE
II.—MY INTERVIEW WITH THE PIRATE
III.—IN WHICH A MAN IS SEEN HOLDING DOWN THE BUSHEL THAT HIDES HIS LIGHT
IV.—A RATHER SWIFT ADVENTURE WITH THE PIRATE
V.—IN WHICH WE HAVE AN AMUSING VOYAGE
VI.—WE ARRIVE IN THE LAND OF LOVE AND SONG
VII.—IN WHICH I TEACH THE DIFFICULT ART OF BEING AN AMERICAN IN ITALY
VIII.—I AGREE TO FIGHT A DUEL AND NAME A WEAPON WITH WHICH EUROPEAN GENTLEMEN ARE UNFAMILIAR
IX.—A MODERN AMERICAN MARRYER ENTERS THE SCENE
A witty, self‑aware narrator introduces himself as Socrates Potter, a lawyer‑turned‑scribe who has been asked to draft a “brief” about a peculiar American magnate. The opening blends legal phrasing with dry humor, offering reflections on wine, truth, and the art of storytelling while hinting at the cultural clash between old‑world romance and modern commerce. Potter’s voice sets a playful stage, inviting listeners to settle into a comfortable chair as the story unfolds.
The focus quickly shifts to Whitfield Norris, a fifty‑five‑year‑old financier whose polished exterior masks a life of solitude and hidden currents. His sprawling country estate, the strikingly elegant wife, and the bright‑eyed daughter create a tableau of wealth and social ritual that Potter is asked to examine. As the narrator steps into Norris’s world, the listener gets a taste of sharp social satire, a glimpse of transatlantic charm, and the promise of a deeper exploration of the man behind the money—all delivered with a blend of wit and gentle curiosity.
Language
en
Duration
~3 hours (203K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by David Widger from page images generously provided by the Internet Archive
Release date
2015-09-30
Rights
Public domain in the USA.

1859–1950
Best known for the once wildly popular novel "Ebenezer," this American writer helped shape early mass-market fiction while also leaving a vivid record of small-town life in northern New York. He moved easily between journalism, publishing, and historical storytelling, and his work reached huge audiences in the early 1900s.
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