The History of Mendelssohn's Oratorio 'Elijah'

audiobook

The History of Mendelssohn's Oratorio 'Elijah'

by F. G. (Frederick George) Edwards

EN·~3 hours·13 chapters

Chapters

13 total
1

Transcriber's Notes: Click on the [Listen] link to play a MIDI (or, in some cases, MP3) file of the music. Your browser may need a plug-in to play sound files.

0:46
2

THE HISTORY OF MENDELSSOHN’S ORATORIO ‘ELIJAH’ BY F.G. EDWARDS.

0:15
3

INTRODUCTION.

1:33
4

PREFACE.

3:35
5

LIST OF ILLUSTRATIONS.

0:24
6

THE HISTORY OF MENDELSSOHN’S “ELIJAH.”

0:02
7

CHAPTER I.

38:50
8

CHAPTER II.

28:01
9

CHAPTER III.

28:38
10

CHAPTER IV.

27:36

Description

The book offers a vivid portrait of Felix Mendelssohn’s oratorio Elijah, tracing its birth from the composer’s youthful inspiration to the triumphant Birmingham premiere of 1846. By situating the work alongside the great English tradition of sacred music, it explains why early audiences placed it near the level of Handel’s Messiah. Readers gain a clear sense of the dramatic and spiritual forces that guided Mendelssohn as he shaped the libretto and the soaring choruses.

Central to the narrative are dozens of previously unpublished letters exchanged between Mendelssohn, his translators, and his family, revealing his meticulous attention to text setting and his personal hopes for the piece. The edition is enriched with a rare portrait of the composer and full‑page illustrations that accompany the correspondence, while the editor’s careful notes keep the scholarship approachable. Listeners will find both a scholarly foundation and an engaging story that brings the music’s creation to life.

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Details

Language

en

Duration

~3 hours (184K characters)

Release date

2011-12-05

Rights

Public domain in the USA.

About the author

F. G. (Frederick George) Edwards

F. G. (Frederick George) Edwards

1853–1909

Best known as a British organist, music journalist, and editor of The Musical Times, he wrote vividly about London’s musical life and helped document major figures in 19th-century music. His books and articles remain a useful window into the concert culture, church music, and musical personalities of his time.

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