
audiobook
THE ENGLISH STAGE
INTRODUCTION
AUTHOR’S PREFACE
CHAPTER I
CHAPTER II
CHAPTER III
CHAPTER IV
CHAPTER V
CHAPTER VI
CHAPTER VII
This volume offers a lively tour through the early years of Victorian theatre, taking listeners from the bustling circuits of itinerant actors to the haunting emptiness of the once‑grand Prince of Wales’s Theatre. Its author paints vivid portraits of the era’s most celebrated—and often overrated—playwrights, showing how figures like Bulwer‑Lytton and Tennyson shaped public taste while sometimes obscuring deeper artistic ambitions.
Beyond the biographies, the work delves into the critical debates that defined the period, examining the clash between grand historical dramas and the emerging desire for naturalistic truth on stage. Readers will encounter thoughtful assessments of controversial reformers such as Robertson, whose comic inventions sparked both admiration and criticism. Throughout, the narrative balances scholarly insight with an engaging, almost conversational tone, making the complex evolution of nineteenth‑century English drama accessible and compelling for anyone curious about the roots of modern theatre.
Language
en
Duration
~7 hours (452K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by The Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive.)
Release date
2011-07-03
Rights
Public domain in the USA.

1841–1916
A lively French man of letters, he wrote widely about English literature, politics, and the stage while moving in remarkably close range of the Second Empire. His career also included a memorable role as tutor to the Prince Imperial, an experience that later shaped some of his best-known memoirs.
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