The Congo, and Other Poems

The collection invites listeners into a living, half‑sung lyric that harks back to Greek choruses and early American vaudeville. Its creator believed poetry should sound as much as it should be read, encouraging each line to find its own melody when spoken aloud. The accompanying notes explain how the verses are meant to be performed, turning every reading into a small, improvisational concert.

Across the pages you’ll hear bustling Midwestern scenes, moonlit reveries, and a vivid, rhythmic piece set on an African river that captures both danger and wonder. The poet’s clear, earthy language and occasional musical directions make the work feel immediate and communal. Listening to these poems feels like joining an intimate gathering where the audience helps shape the song of the words.