
In this lively section, a sharp‑tongued critic takes on the modern novel, lamenting the flood of titles that dominate the shelves while questioning their lasting value. With a blend of humor and sarcasm, the essayist compares the genre to a panoramic painting—impressive in parts yet lacking the unity that defines true art. Readers are invited into a witty debate about why many contemporary stories feel like overgrown, diluted narratives that could thrive if trimmed to their essential core.
Beyond the opening tirade, the volume gathers a diverse array of essays that probe literary trends, the quirks of language, and the fleeting nature of fame. From playful examinations of slang to thoughtful reflections on the role of the writer, each piece offers a snapshot of early‑20th‑century cultural commentary. The collection’s brisk, incisive prose makes it a compelling listen for anyone who enjoys sharp analysis wrapped in clever, often irreverent, observation.
Full title
The Collected Works of Ambrose Bierce, Volume 10 The Opinionator
Language
en
Duration
~6 hours (394K characters)
Publisher of text edition
Project Gutenberg
Original publisher
United States: The Neale Publishing Company, 1911.
Credits
Emmanuel Ackerman, Robert Tonsing and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)
Release date
2021-10-20
Rights
Public domain in the USA.

1842–1913
A master of sharp wit and dark imagination, this American writer turned the violence of the Civil War and a lifelong journalist’s eye into stories that still feel startlingly modern. He is best remembered for haunting tales like An Occurrence at Owl Creek Bridge and for the biting satire of The Devil’s Dictionary.
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