
audiobook
THE - ATLANTIC MONTHLY. - A MAGAZINE OF LITERATURE, ART, AND POLITICS. - VOL. XIV.—SEPTEMBER, 1864.—NO. LXXXIII.
THE CADMEAN MADNESS.
THE BRIDGE OF CLOUD.
THE ELECTRIC GIRL OF LA PERRIÈRE.
LITERARY LIFE IN PARIS. - THE DRAWING-ROOM. - PART II.
THE MASKERS.
CULLET.
WHAT WILL BECOME OF THEM? - A STORY IN TWO PARTS. - PART II.
FORGOTTEN.
WET-WEATHER WORK. - BY A FARMER. - VIII.—CONCLUSION.
In this thought‑provoking essay from a mid‑nineteenth‑century literary magazine, the author imagines a world where the line between sanity and madness is a matter of convention. By questioning whether what we call “wise” is merely the prevailing majority’s agreement, the piece invites listeners to reflect on how societies define reason, from ancient Greek festivals to modern institutions. The writer weaves philosophy with a wry sense of humor, suggesting that even the most celebrated achievements might be the product of collective folly.
Drawing on vivid snapshots of past epochs—the oral epics of Greece, the theatrical passions of Periclean Athens, the mystic abstractions of Neo‑Platonists, and the relentless surge of print culture—the essay shows how each era’s “madness” shaped its art, science, and law. It also turns a critical eye toward the explosion of reading and writing in the author’s own time, hinting at both its liberating power and its potential to overwhelm. Listeners will be drawn into a lively meditation on how cultural currents can turn brilliance into bewilderment.
Full title
The Atlantic Monthly, Volume 14, No. 83, September, 1864 A Magazine of Literature, Art, and Politics
Language
en
Duration
~8 hours (479K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Joshua Hutchinson, Josephine Paolucci and the Online Distributed Proofreading Team at https://www.pgdp.net. (This file was produced from images generously made available by Cornell University Digital Collections).
Release date
2007-01-13
Rights
Public domain in the USA.
Subjects
This book is credited to multiple contributors rather than a single writer, bringing together different voices, styles, or perspectives in one place. That often makes for a lively listening experience, especially in anthologies, collections, and themed compilations.
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