
This text uses utf-8 (unicode) file encoding. If the apostrophes and quotation marks in this paragraph appear as garbage, you may have an incompatible browser or unavailable fonts. First, make sure that the browser’s “character set” or “file encoding” is set to Unicode (UTF-8). You may also need to change your browser’s default font. In the 18th-century text, the variable form of long dashes as — or --- or —— reproduces the original.
Edited, with an Introduction by - Sheridan W. Baker, Jr.
Publication Number 48
Los Angeles William Andrews Clark Memorial Library University of California 1954
GENERAL EDITORS
ASSISTANT EDITOR
ADVISORY EDITORS
CORRESPONDING SECRETARY
INTRODUCTION
CHANGES
Delve into the fascinating world of an 18th‑century novel’s creator as he lays out his own preface, letters to the editor, and a series of thoughtful revisions. This edition follows the author’s evolving introduction across seven of his eight editions, revealing his shifting attitudes, concessions, and steadfast convictions. Listeners will hear a rare, intimate commentary that was often omitted from later printings, offering a fresh perspective on the novel’s original reception and the author’s self‑presentation.
The scholarly team behind this release has carefully reconstructed the text, preserving original punctuation, dashes, and marginal notes while clarifying typographical quirks for modern ears. Detailed editorial notes explain each alteration, and the accompanying commentary highlights the historical context of each revision. For anyone curious about how a classic work was shaped and defended in its own time, this listening experience provides a clear, engaging window into literary history.
Language
en
Duration
~1 hours (84K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Louise Hope, David Starner, Chris Curnow and the Online Distributed Proofreading Team at http://www.pgdp.net
Release date
2008-03-17
Rights
Public domain in the USA.

1689–1761
Best known for Pamela, Clarissa, and Sir Charles Grandison, he helped shape the English novel by turning private letters into gripping stories about love, virtue, and social pressure. Before becoming famous as a writer, he built a successful career as a London printer.
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