
Please see the Transcriber’s Notes at the end of this text.
PREFACE
CHAPTER I BACKGROUND RESOURCES IN NEGRO SONG AND WORK
CHAPTER II THE BLUES: WORKADAY SORROW SONGS
CHAPTER III SONGS OF THE LONESOME ROAD
CHAPTER IV BAD MAN BALLADS AND JAMBOREE
CHAPTER V SONGS OF JAIL, CHAIN GANG, AND POLICEMEN
CHAPTER VI SONGS OF CONSTRUCTION CAMPS AND GANGS
CHAPTER VII JUST SONGS TO HELP WITH WORK
CHAPTER VIII MAN’S SONG OF WOMAN
This volume brings together a vivid snapshot of workday music sung by African‑American laborers across the South in the mid‑1920s. Collected in North and South Carolina, Tennessee and Georgia, the songs echo the rhythms of farms, railroads, construction camps, jails and wandering routes. Each lyric and melody is presented with the social backdrop that gave it life, allowing listeners to hear the everyday hopes, hardships and humor of a million‑strong workforce.
The editors accompany the transcribed verses with detailed musical notations and rare phonographic recordings, letting the raw, unadorned performances speak for themselves. Commentary focuses on how these songs functioned as communal expression, morale boosters, and a subtle form of resistance among migrants, itinerant musicians and women who balanced fieldwork with domestic duties.
For anyone interested in the intertwining of culture and labor, the collection offers a rare auditory window onto a formative period of American folk heritage, preserving a chorus of voices that still resonates with authenticity and emotional depth.
Language
en
Duration
~5 hours (337K characters)
Publisher of text edition
Project Gutenberg
Original publisher
New Caledonia: University of North Carolina Press, 1926.
Credits
Tim Lindell, Harry Lamé, Jude Eylander and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.)
Release date
Nov 18, 2022
Rights
Public domain in the USA.

1884–1954
A pioneering sociologist of the American South, he built a career around studying regional life, race relations, and folklore with unusual breadth. At the University of North Carolina, he also helped create institutions that shaped social-science research for decades.
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A pioneering sociologist and social anthropologist, he devoted much of his work to documenting Black life and music in the rural South while speaking out for racial equality. His research joined careful fieldwork with a strong sense that scholarship should matter in public life.
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