
THE ILLUSTRATIONS
INTRODUCTION
LOCATION
KINDS OF COURTS
CONSTRUCTING DIRT COURTS
CONSTRUCTING GRASS COURTS
SIZES AND MARKING
BACKSTOPS AND NETS
CARE OF COURTS
This guide opens with a lively look at tennis’s surprisingly ancient roots, tracing the game from medieval courts in European castles to the modern lawn sport that captured the public’s imagination in the late‑19th century. It blends that rich history with clear, practical advice, making the evolution of rules, court shapes, and equipment feel relevant to today’s players. Readers will appreciate how the author connects past traditions to the pleasures of a contemporary outdoor pastime.
The heart of the book is a step‑by‑step discussion of where and how to place a court on a country estate. It emphasizes choosing a level, sun‑lit site no smaller than 60 by 120 feet, keeping the space close enough to the house for convenience while allowing a graceful transition through terraces or garden walks. Considerations of topography, surrounding architecture, and even the background’s brightness help the court become a harmonious part of the landscape.
Illustrated throughout are useful sketches of court layouts, backstops, spectator benches, and decorative borders, showing how functionality can meet aesthetic appeal. The author offers simple, inexpensive ideas for fencing and edging that still make the court a visual feature. By the end, anyone with sufficient land will feel equipped to turn a plain rectangle into a welcoming outdoor retreat for sport and socializing.
Language
en
Duration
~45 minutes (43K characters)
Series
House and Garden Making Books
Publisher of text edition
Project Gutenberg
Credits
Produced by The Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)
Release date
2013-08-20
Rights
Public domain in the USA.
Subjects
Best known for lively adventure stories, animal tales, and popular science writing, this early 20th-century American author moved easily between magazines, newspapers, and books. His work has a brisk, curious energy that makes it easy to see why young readers were drawn to it.
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