
audiobook
L'OISEAU BLEU - par - MAURICE MAETERLINCK - FÉERIE EN SIX ACTES ET DOUZE TABLEAUX - Représentée pour la première fois, - sur le Théâtre Artistique de Moscou, le 30 Septembre 1908, - et à Paris, sur la scène du Théâtre Réjane, - le 2 Mars 1911. - PARIS - Librairie CHARPENTIER et FASQUELLE - EUGÈNE FASQUELLE, ÉDITEUR - 11, RUE DE GRENELLE, 11 - 1911
COSTUMES
TABLEAUX
PERSONNAGES - (dans l'ordre de leur entrée en scène)
L'OISEAU BLEU
ACTE PREMIER
PREMIER TABLEAU - LA CABANE DU BÛCHERON
ACTE DEUXIÈME
DEUXIÈME TABLEAU - CHEZ LA FÉE
TROISIÈME TABLEAU - LE PAYS DU SOUVENIR
A sparkling tableau of imagination unfolds as a troupe of humble woodcutters and beloved storybook figures step onto the stage, each dressed in vivid, almost painterly costumes—from the ruby‑red vestments of a tiny thief to the moon‑lit gown of the ethereal Light. The opening scene places the audience in a rustic cabin, where the gentle rustle of leaves and the warm glow of a hearth set the tone for a whimsical journey that feels both familiar and freshly enchanted.
From that modest beginning the drama expands into a series of dazzling realms: the fairy’s crystal palace, a midnight court of shadows, and a forest alive with singing rivers and dancing flames. The six‑act structure weaves together song, dance, and poetic narration, inviting listeners to follow the graceful procession of characters such as the mischievous Bread, the radiant Fire, and the tender Water. It is a celebration of wonder, where every tableau shimmers with color and every line hints at deeper mysteries yet to be revealed.
Language
fr
Duration
~3 hours (192K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Annemie Arnst & Marc D'Hooghe (From images generously made available by the Internet Archive.)
Release date
2012-02-12
Rights
Public domain in the USA.
Subjects

1862–1949
A master of Symbolist drama, this Nobel Prize-winning Belgian writer filled his plays and essays with mystery, dreamlike beauty, and big questions about life and fate. His work moves from shadowy, haunting theatre to the brighter wonder of The Blue Bird.
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