
AUTHOR’S NOTE
OF BEAUTY, FAITH, AND DEATH: A RHAPSODY BY WAY OF PRELUDE
THE CARPENTER’S WIFE: A CAPRICCIO
THE EARTH THE CENTRE OF THE UNIVERSE: OR THE ABSURDITY OF ASTRONOMY
OF AUTOCOSMS WITHOUT FACTS: OR THE EMPTINESS OF RELIGIONS
OF FACTS WITHOUT AUTOCOSMS: OR THE IRRELEVANCY OF SCIENCE
OF FACTS WITH ALIEN AUTOCOSMS: OR THE FUTILITY OF CULTURE
ST. FRANCIS: OR THE IRONY OF INSTITUTIONS
THE GAY DOGES: OR THE FAILURE OF SOCIETY AND THE IMPOSSIBILITY OF SOCIALISM
THE SUPERMAN OF LETTERS: OR THE HYPOCRISY OF POLITICS
A vivid, wandering meditation, this work invites listeners on a lyrical journey through Italy’s landscape, art, and history. The author blends travelogue with philosophical riff, moving from Alpine passes to the bustling streets of Naples, from marble temples to the shimmering canals of Venice, all rendered in richly poetic prose. Along the way, familiar figures—from Caesar to Dante—are recalled not as distant icons but as living threads in a tapestry of myth and modern reflection.
The collection unfolds as a series of loosely connected essays, each a “fantasia” that probes beauty, faith, and the contradictions of civilization. With humor and occasional satire, it questions the weight of institutions, the pretensions of scholarship, and the fleeting nature of cultural grandeur. Listeners will feel the pulse of Italy’s past and present, carried on the author’s exuberant, almost musical, narration.
Language
en
Duration
~13 hours (753K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Mardi Desjardins & the online Distributed Proofreaders Canada team at http://www.pgdpcanada.net from page images generously made available by the Internet Archive (https://archive.org)
Release date
2017-12-28
Rights
Public domain in the USA.
Subjects

1864–1926
A witty British novelist and playwright, he brought London’s Jewish East End vividly into English literature and helped popularize the enduring idea of America as a “melting pot.” His work mixed humor, social observation, and political conviction in a way that still feels lively today.
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by Israel Zangwill

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by Israel Zangwill
by Israel Zangwill

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by Israel Zangwill