
In the Days of the Comet - by H. G. Wells
PROLOGUE THE MAN WHO WROTE IN THE TOWER
BOOK THE FIRSTTHE COMET
CHAPTER THE FIRSTDUST IN THE SHADOWS
CHAPTER THE SECOND NETTIE
CHAPTER THE THIRD THE REVOLVER
CHAPTER THE FOURTHWAR
CHAPTER THE FIFTH THE PURSUIT OF THE TWO LOVERS
BOOK THE SECOND THE GREEN VAPORS
CHAPTER THE FIRST THE CHANGE
An elderly writer sits in a high tower, watching a strange comet blaze across the sky, and begins to record the strange upheaval it heralds. As the comet’s tail spreads a luminous green vapor over England, ordinary people find themselves altered—senses sharpen, emotions intensify, and long‑suppressed desires explode into consciousness. The narrative follows the sudden, dazzling shift from mundane routine to a world where love, fear, and ambition are magnified.
At the heart of the story are two lovers, Nettie and a soldier named Geoffrey, whose fragile romance is tested by the comet’s strange power and the chaotic reactions of their community. Their friends, a cynical journalist and a reclusive scholar, grapple with the political turmoil and the frantic urge to seize the newfound vitality. As the “Great Change” spreads, the characters confront questions of morality, identity, and whether a brighter, more instinctive humanity can survive the lingering shadows of the old world.
Wells blends scientific imagination with keen social observation, rendering the comet’s influence as both wondrous and unsettling. The prose shifts between vivid descriptions of transformed landscapes and intimate reflections on personal growth, inviting listeners to imagine a world briefly reborn. The story asks whether humanity can hold onto compassion when its deepest instincts are laid bare.
Language
en
Duration
~7 hours (452K characters)
Release date
2004-10-25
Rights
Public domain in the USA.

1866–1946
A pioneering storyteller of science fiction, this English writer imagined time travel, alien invasion, and invisible men long before they became part of popular culture. His books mix big ideas with fast-moving plots, and they still feel strikingly modern.
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