
IL MIRAGGIO
A mia moglie, Virginia Adele Manganella.
PARTE PRIMA - I.
PARTE SECONDA - I.
PARTE TERZA - I.
The novel opens with a heartfelt dedication, revealing the author's intimate bond with his wife Lilla and his belief that literature must serve as a true reflection of life. He stresses that artistic grandeur means little without sincerity, and that the writer’s duty is to convey lived experience honestly. This philosophical framing sets a tone of personal confession and moral purpose.
The narrative then places us in a dimly lit theater where Giuliano Farnese, a restless and troubled figure, watches a monotonous rehearsal from a leather armchair. Sunlight filters through a skylight, the soft rustle of velvet seats and the clatter of stagehands create a vivid backdrop for his inner disquiet, as he idly scratches meaningless symbols into dust‑covered tables. Around him, hints of other characters—the austere Beatrice, the passionate Claudina, and the enigmatic Giuliano—suggest tangled relationships that will unfold amidst art, love, and the search for meaning.
Language
it
Duration
~8 hours (495K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Carlo Traverso, Barbara Magni and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)
Release date
2016-10-17
Rights
Public domain in the USA.
Subjects

1880–1939
A journalist, novelist, and screenwriter from Naples, he moved easily between newspapers, fiction, and early Italian cinema. His career captures a lively moment in Italian culture, when writers were shaping both the printed page and the new world of film.
View all books
by Lucio D'Ambra

by Lucio D'Ambra

by Anton Giulio Barrili

by Guido da Verona

by Memini

by Alfredo Panzini

by Giuseppe Rovani

by Luciano Zùccoli