
PRELUDE.
CHAPTER I. — HOW HEREWARD WAS OUTLAWED, AND WENT NORTH TO SEEK HIS FORTUNES.
CHAPTER II. — HOW HEREWARD SLEW THE BEAR.
CHAPTER III. — HOW HEREWARD SUCCORED A PRINCESS OF CORNWALL.
CHAPTER IV. — HOW HEREWARD TOOK SERVICE WITH RANALD, KING OF WATERFORD.
CHAPTER V. — HOW HEREWARD SUCCORED THE PRINCESS OF CORNWALL A SECOND TIME.
CHAPTER VI. — HOW HEREWARD WAS WRECKED UPON THE FLANDERS SHORE.
CHAPTER VII. — HOW HEREWARD WENT TO THE WAR AT GUISNES.
CHAPTER VIII. — HOW A FAIR LADY EXERCISED THE MECHANICAL ART TO WIN HEREWARD’S LOVE.
CHAPTER IX. — HOW HEREWARD WENT TO THE WAR IN SCALDMARILAND.
The narrator begins with a bold meditation on why the lowlands have produced fewer celebrated heroes than the rugged highlands. He argues that fertile plains, early civilization, and the comforts of law have dulled the raw, poetic struggle that fuels legend, leaving the lowlander with a different kind of vigor—practical, industrious, and unromantic. This thoughtful prologue sets the stage for a tale that seeks to recover the forgotten courage of England’s flatlands.
Into this framework steps Hereward, a wiry, cunning leader who refuses to submit to the Norman tide that sweeps across the countryside. He marshals the marshes, forests, and ordinary folk into a fierce, guerrilla resistance, relying on his intimate knowledge of the land and a fierce pride in his heritage. Listeners will follow his early raids, his alliances, and the simmering conflict that pits a determined few against a conquering empire, all while the narrative explores the clash between raw survival and the emerging order of rule.
Language
en
Duration
~15 hours (898K characters)
Publisher of text edition
Project Gutenberg
Credits
Text file produced by Anne Soulard, Charles Aldarondo, Tiffany Vergon, S.R.Ellison and the Online Distributed Proofreading Team HTML file produced by David Widger
Release date
2005-04-01
Rights
Public domain in the USA.

1819–1875
A Victorian clergyman and novelist, he brought big ideas to life through adventure, history, and social debate. Best known for The Water-Babies and Westward Ho!, he wrote with energy, humor, and a strong sense that stories should matter.
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