Görbe tükör

A bustling New‑York literary café sets the stage, its marble tables crowded with ink‑stained patrons, newsboys, and a chorus of “fake newspaper peddlers” who chant in a feverish, rhythmic chant. The scene opens with a freshly discovered passage from “The Tragedy of Man,” slipped between the familiar Tower and Keppler episodes, instantly anchoring the story in a playful, meta‑theatrical world.

Into this chaotic salon steps Adam, a modest provincial editor, who is greeted by Lucifer—a flamboyant literary agent spouting grandiose visions of ideas, poetry, and the power of the written word. Their exchange quickly spirals into absurd, poetic banter, punctuated by a cacophony of young “duhaj” voices and frenzied applause, evoking both satire and a feverish celebration of creativity.

The work promises a kale‑kaleidoscopic mix of genres—detective snippets, historical vignettes, scientific musings—woven together with razor‑sharp wordplay and theatrical absurdity. Listeners will be drawn into a lively, experimental tapestry that captures the restless energy of early twentieth‑century literary circles while leaving the larger narrative mysteries untouched.