
GEORGE MEREDITH
To ROSAMOND VENNING.
PREFACE.
CHAPTER I. THE GRADUAL RECOGNITION OF GEORGE MEREDITH AS A NOVELIST.
CHAPTER II. MEREDITH’S STYLE AND INFLUENCE.
CHAPTER III. THE NOVELS OF GEORGE MEREDITH: ‘RICHARD FEVEREL’ AND ‘RHODA FLEMING.’
CHAPTER IV. ‘EVAN HARRINGTON,’ ‘THE ADVENTURES OF HARRY RICHMOND,’ ‘SANDRA BELLONI,’ AND ‘BEAUCHAMP’S CAREER.’
CHAPTER V. ‘THE EGOIST,’ ‘DIANA OF THE CROSSWAYS,’ ‘TRAGIC COMEDIANS,’ AND ‘SHAVING OF SHAGPAT.’
CHAPTER VI. GEORGE MEREDITH’S MEN AND WOMEN.
A warm, conversational guide to the life and work of one of England’s most intriguing novelists, this study begins with the author’s own recollection of a lecture that sparked a deeper investigation. Written in a letter‑like tone, it invites readers to share the writer’s enthusiasm for George Meredith, while gently reminding us of the balance between passionate admiration and measured critique.
The book unfolds across six concise chapters, each tracing a different facet of Meredith’s literary legacy. From his early emergence as a serious novelist to the distinctive style that shaped his contemporaries, the author examines key works such as Richard Feverel, Rhoda Fleming, and The Egoist. Along the way, she offers insights into the men and women who populated his stories, providing a clear, accessible portrait of a writer whose “light” fiction bears a surprisingly profound philosophical hue.
Language
en
Duration
~2 hours (163K characters)
Publisher of text edition
Project Gutenberg
Original publisher
United Kingdom: Methuen & Co., 1891.
Credits
Emmanuel Ackerman, David E. Brown, and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)
Release date
2022-04-02
Rights
Public domain in the USA.

1859–1904
An Irish novelist, journalist, translator, and outspoken feminist, she built much of her career in Paris while writing vividly about politics, religion, and women's lives. Her work crossed borders and genres, bringing a sharp, cosmopolitan voice to late 19th-century literature.
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by Hannah Lynch

by Hannah Lynch