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CHAPTERS XX-XXXII APPENDICES I-IX REMARKS PRELIMINARY TO THE LIST OF CHOPIN'S WORKS. LIST OF CHOPIN'S PUBLISHED WORKS - CHAPTER XX.
THE LOVES OF CELEBRITIES.—VARIOUS ACCOUNTS OF CHOPIN AND GEORGE SAND'S FIRST MEETING.—CHOPIN'S FIRST IMPRESSION OF HER.—A COMPARISON OF THE TWO CHARACTERS.—PORTRAYALS OF CHOPIN AND GEORGE SAND.—HER POWER OF PLEASING.—CHOPIN'S PUBLICATIONS IN 1837 AND 1838.—HE PLAYS AT COURT AND AT CONCERTS IN PARIS AND ROUEN.—CRITICISM.
CHAPTER XXI. - CHOPIN'S VISITS TO NOHANT IN 1837 AND 1838.—HIS ILL HEALTH.—HE DECIDES TO GO WITH MADAME SAND AND HER CHILDREN TO MAJORCA.— MADAME SAND'S ACCOUNT OF THIS MATTER AND WHAT OTHERS THOUGHT ABOUT IT.—CHOPIN AND HIS FELLOW—TRAVELLERS MEET AT PERPIGNAN IN THE BEGINNING OF NOVEMBER, 1838, AND PROCEED BY PORT-VENDRES AND BARCELONA TO PALMA.—THEIR LIFE AND EXPERIENCES IN THE TOWN, AT THE VILLA SON-VENT, AND AT THE MONASTERY OF VALDEMOSA, AS DESCRIBED IN CHOPIN'S AND GEORGE SAND'S LETTERS, AND THE LATTER'S "MA VIE" AND "UN HIVER A MAJORQUE."—THE PRELUDES.—RETURN TO FRANCE BY BARCELONA AND MARSEILLES IN THE END OF FEBRUARY, 1839.
CHOPIN.
Chapter XXII. - STAY AT MARSEILLES (FROM MARCH TO MAY, 1839) AS DESCRIBED IN CHOPIN'S AND MADAME SAND'S LETTERS.—HIS STATE OF HEALTH.— COMPOSITIONS AND THEIR PUBLICATION.—PLAYING THE ORGAN AT A FUNERAL SERVICE FOR NOURRIT.—AN EXCURSION TO GENOA.—DEPARTURE FOR NOHANT.
FREDERICK.
CHAPTER XXIII. - JUNE TO OCTOBER, 1839. - GEORGE SAND AND CHOPIN'S RETURN TO NOHANT.—STATE OF HIS HEALTH.- -HIS POSITION IN HIS FRIEND'S HOUSE.—HER ACCOUNT OF THEIR RELATIONSHIP.—HIS LETTERS TO FONTANA, WHICH, AMONG MANY OTHER MATTERS, TREAT OF HIS COMPOSITIONS AND OF PREPARATIONS TO BE MADE FOR HIS AND GEORGE SAND'S ARRIVAL IN PARIS.
[I.]
FREDERICK.
FREDERICK. - CHAPTER XXIV.
Language
en
Duration
~14 hours (834K characters)
Release date
2004-01-01
Rights
Public domain in the USA.
1845–1924
A German-born music scholar who spent most of his life in Scotland, he became one of the best-known early biographers of Chopin and Schumann. His writing helped shape how later readers and listeners understood Romantic music.
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