Down South; or, Yacht Adventure in Florida

audiobook

Down South; or, Yacht Adventure in Florida

by Oliver Optic

EN·~6 hours·2 chapters

Chapters

2 total
1

BOSTON LEE AND SHEPARD PUBLISHERS NEW YORK CHARLES T. DILLINGHAM 1881 - COPYRIGHT, 1880, By WILLIAM T. ADAMS. - Electrotyped at the Boston Stereotype Foundry No. 4 Pearl Street.

2:30
2

DOWN SOUTH; - OR, - YACHT ADVENTURES IN FLORIDA.

6:05:05

Description

A determined young yachtman, still tied to his Michigan roots, sets a course for the sun‑kissed coast of Florida. Guided by careful navigation and the glow of St. Augustine’s towering lighthouse, his steam‑yacht Sylvania slips through rain‑laden seas after a long cruise through the Caribbean. The story opens with the crew’s precise dead‑reckoning, establishing a tone of competence and curiosity as they approach the unfamiliar southern shoreline.

On board, the narrator is joined by Colonel Shepard, his family, and a handful of fellow Western boys, each bringing their own charm to the voyage. Among them is the gentle and striking Miss Edith, whose presence brightens the cramped after‑cabin. Together they explore winding rivers, test their skill at shooting alligators, and cast lines in both fresh and salt water, discovering the rugged beauty and “sportsman’s paradise” that Florida offers. The early chapters blend camaraderie, natural wonder, and the promise of further adventures down the Gulf and beyond.

Details

Language

en

Duration

~6 hours (352K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by David Edwards and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)

Release date

2008-02-08

Rights

Public domain in the USA.

About the author

Oliver Optic

Oliver Optic

1822–1897

A hugely popular 19th-century writer for young readers, he turned schoolroom experience into fast-moving adventure stories that traveled by boat, rail, and battlefield. Writing as Oliver Optic, he helped shape American series fiction for boys long before the modern YA market existed.

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