
Chapter I.
Chapter II.
Chapter III.
Chapter IV.
Chapter V.
Chapter VI.
Chapter VII.
Chapter VIII.
Chapter IX.
Sydney Wharncliffe, a barrister with a penchant for observation, offers a personal sketch of his lifelong friend Derrick Vaughan, the novelist whose face has graced countless illustrated journals. Rather than a dry chronology, Wharncliffe paints a picture of a man whose outwardly solid, unassuming appearance hides a flickering brilliance that awakens in private conversation. He describes Vaughan’s hazel eyes and heavy brow, noting how a sudden surge of sympathy can transform the man into something unmistakably extraordinary. The narrative hints at the inevitable retreats into solitude that follow each burst of creative fire.
The memoir begins with a vivid childhood memory: two eight‑year‑old boys looking out of a carriage at the ruined Silvery Steeple, a relic of Cromwell’s wars. That moment sparks Vaughan’s fascination with history and the heroic, planting the seed of a lifelong devotion to the written word. Wharncliffe conveys the reverence Vaughan feels for his craft, likening it to a divine calling, and sets the stage for the writer’s gradual rise from shy curiosity to literary acclaim.
Language
en
Duration
~2 hours (150K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Les Bowler, and David Widger
Release date
1999-03-01
Rights
Public domain in the USA.
Subjects

1857–1903
A bestselling Victorian novelist with a strong moral streak, she wrote popular stories that mixed emotion, conscience, and social questions. Behind the pen name was Ada Ellen Bayly, a writer remembered for humane fiction and early support for women's suffrage.
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