Collotype and Photo-lithography

audiobook

Collotype and Photo-lithography

by Julius Schnauss

EN·~3 hours·23 chapters

Chapters

23 total
1

COLLOTYPE AND Photo-Lithography

1:26
2

TRANSLATOR’S PREFACE.

1:14
3

CHAPTER I.

3:15
4

CHAPTER II.

8:51
5

CHAPTER III.

9:36
6

CHAPTER IV.

28:24
7

CHAPTER V.

18:35
8

CHAPTER VI.

18:38
9

CHAPTER VII.

23:07
10

CHAPTER VIII.

11:36

Description

Delve into the fascinating world of early photographic printing as this thorough guide reveals the chemistry and craft behind collotype and photo‑lithography. Starting with the pioneering experiments of Mungo Ponton and Fox‑Talbot, it explains how light‑sensitive bichromates paired with organic binders gave rise to a new visual language, and traces the evolution of the technique through the work of Poitevin, Tessié du Motay, and others. Readers will discover the underlying reactions that turn a simple gelatin layer into a durable, high‑resolution printing surface.

Beyond the historical narrative, the book offers a step‑by‑step look at the equipment, materials, and methods needed to prepare plates, create negatives, and produce finished prints. Practical tips on handling chemicals, avoiding common pitfalls, and achieving natural‑color results are interwoven with detailed illustrations and real‑world examples. Whether you’re a collector, a photography enthusiast, or a curious listener, this exploration provides a clear window into a once‑cutting‑edge art form.

Details

Language

en

Duration

~3 hours (220K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Chris Curnow and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)

Release date

2015-09-03

Rights

Public domain in the USA.

About the author

JS

Julius Schnauss

1827–1895

A 19th-century German chemist and photographer, he wrote about early photographic and printing techniques at a time when the medium was still taking shape. His work is closely tied to the technical side of image-making rather than literary fame.

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